![]() We are virtually introduced to the playful, winsome orca, sometimes through stunning underwater photography, and sometimes through the moving first hand accounts of the people who encountered Luna and whose interactions with him are captured on tape. But that big thing we think of as 'friendship,' which encompasses all of those emotional structures, is a good metaphor for what he needed and a good metaphor for what we sensed when we looked in his eye."Īnd a look into Luna's eyes is just what viewers get. In the details it's going to be different. "My sense of it," explains the filmmaker, "is that the social need that he had and that we have, that we call friendship, is extremely complicated in our lives and in theirs. To some, this idea may verge on anthropomorphism, but Parfit contends it is a legitimate way of understanding how Luna himself broke that barrier. That theme resounds throughout the film: whether it was possible to actually befriend a wild animal such as Luna, and whether friendship could have saved him. But we don't think it could actually happen." We humans tell sweet and magical fables about going through that wall and making friends with a mysterious creature on the other side. This put the orca at risk and created a heart-wrenching battle over his fate.Īt the start of the film, Parfit narrates, "There is a wall, built of fear and respect, which normally stands between humans and wild beings. Killer whales are among the most social of mammals and, having no other orcas with which to socialize, the young Luna sought to make a kind of surrogate pod with people and boats. One of the endangered southern resident orcas of Puget Sound, Luna was 200 miles from his pod's primary territory. Widely reported at the time, the 2-year-old baby orca had mysteriously appeared alone in the waters of Nootka Sound in July 2001. From the opening montage of watery coves and misty hillsides that establishes the remote setting of Nootka Sound on the west coast of Vancouver Island, "Saving Luna" sets out to transport audiences beneath the surface of this compelling story, and does so. Nearly two years after a tragic accident ended the saga of a wayward killer whale known as Luna, documentary filmmakers Suzanne Chisholm and Michael Parfit bring the gregarious little orca to the big screen in a thought-provoking, first-person account likely to stir debate. Facebook Twitter Email "Saving Luna" is a documentary about a lost baby killer whale who sought to bond with people.
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